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Featured Image source – Amazon
All rights reserved over the content.
Featured Image source – Amazon
The Fast and the Furious movie franchise was never supposed to last an unbelievable 8 movies with more to come. They were supposed to be clash of egos between men who settle things by racing in fast cars. The first three parts lack much coherence in terms of storytelling and the movies stick to this plot with entertainment factor involved. However, the fourth part signalled a change.
A smart story provided progress for the characters while setting up a family vibe that helped turn the car-racing theme into a heist one for the next 3 parts. Yes, they still involved cars but the action started scaling up, characters from the previous movies started getting connected to the story and the addition of The Rock was a major plus.
These heist episodes concluded in the 7th part, with an extremely well-written and emotional exit for the deceased Paul Walker’s character Brian O’Conner, one of the two main protagonists of the series along with Vin Diesel’s Dominic Toretto.
So, when the current movie was announced, there were doubts hanging over how the franchise can cope on losing one of their most important characters and boy, did they do well! It was a clever decision from the makers to move from the heist concept to the spy genre. This continuous evolution is the prime reason the franchise refuses to slow down.
Dom’s betrayal of the team created enough buzz and anticipation for the movie and it puts the team’s whole concept of family in question as their leader turns rogue. This leads to some wonderful character development for the team in various ways and allows for the entry of Jason Statham’s Deckard Shaw into the fold, who played the antagonist in the last outing.
Statham has a wonderful time in the film and his chemistry with The Rock’s character Luke Hobbs is one to look out for. The best part about the franchise continue to be the way the story connects to the previous ones giving fans real pay-offs, while ensuring first-time audience do not feel out of place.
One of the hallmarks of this series has been its action sequences. Be it the personal fights between The Rock and Vin Diesel, between Michelle Rodriguez’s Letty and MMA fighters Gina Carano and Ronda Rousey or the high-octane action scenes (that always involve cars) which look incredible on the screen. Every movie in fact, leaves you with one such sequence on a minimum. In this aspect, the eighth installment does not disappoint as the jail scenes involving The Rock and Statham are shot superbly and the climax involving a submarine would have made Matthew Reilly proud (He is the only pure high-octane action thriller writer I know). A special mention to The Rock’s fight scenes as the background score further enhances the physical marvel he is.
The movie definitely suffers a hiccup in terms of the twists as most of them can be sensed beforehand barring one or two. A spy thriller requires a stronger screenplay and with respect to that, the movie falters a bit.This prevents the movie from becoming a top spy thriller but then it never tried to become the ultimate heist thriller in the previous films either. Ultimately, the story is all about family and high-octane sequences that involve some really fast or huge cars. The shifting genres are present to provide a necessary wrinkle that prevents the movies from becoming repetitive while giving options to visualize and perform new mind-boggling stunts on-screen.
The one area where the movie shows the franchise’s growth is the drama front. As mentioned earlier, the previous movies were as simple as one could imagine and Paul Walker’s retirement last year was the biggest emotional punch due to obvious reasons. Barring Vin Diesel’s near deaths in the climaxes of recent parts, the drama quotient is comparatively less and understandably so. However, The Fate of the Furious has an unexpected depth to the extent that we see Vin Diesel cry (yeah, the big man can cry).
Those little elements that add to the drama lead to a wonderful pay-off in the climax as a few heart-tugging moments are created. Herein lies the secret of the franchise – constant evolution. At no point does the movie or the series looks to be ageing, rather it is in peak form. There is a certain comfort and understanding of the characters and their roles given the number of films and the constant unexpected deaths along with great additions ( The Rock in Fast Five and Jason Statham in Fast and Furious 7) make the ride better.
Tyrese Gibson constantly provides the right dose of humour, Chris Bridges plays his brother at work, mechanic and techie along with recent entrant Nathalie Emmanuel superbly. Michelle Rodriguez is the First Lady and a tough yet experienced part of the crew. Charlize Theron plays the ice-cold antagonist Cipher while Helen Mirren and Scott Eastwood join the franchise as well. Paul Walker is referenced when explanations are needed regarding his absence despite the immediate need and a few more explanations, including one involving the nuclear submarine in the end are needed and those loose ends are tied up well. Further, Paul Walker’s character Brian O’Connor’s soul is provided continuity as well.
In the end, The Fast and The Furious 8 is a worthy addition to the franchise and does well to move beyond the loss of Paul Walker, while opening up opportunities for the rumoured spin-offs. If you are a fan of the franchise, then you are gonna become a bigger one. On the other hand, if you are looking for some good popcorn action blockbuster, the movie provides that too.
The images taken from http://www.fastandfurious.com
©Saketh Ayyagari. All rights reserved.
Long before Robert Downey Jr. made Iron Man/Tony Stark his own, long before the Avengers put their mark on respective characters, and even before Christian Bale became the definitive Batman, Hugh Jackman became the Wolverine in Bryan Singer’s X-Men in 2000. Since then, he has played the role in seven installments including the latest one and uncredited cameos in two more. Hence, for someone who initiated the era of a single actor owning a superhero character, it is a pretty difficult task to send him riding into the sunset. However, James Mangold’s Logan not only delivers a gripping farewell to the popular character, but also puts out a fresh and interesting superhero story,thereby becoming the best Wolverine movie yet and also one of the best superhero movies ever.
The movie, drawing from the Old Man Logan comics, portrays the character beyond his prime, with weakening powers including slowed healing ability, a limp and the attitude of a person, which his dear friend and mentor Charles Xavier attributes as “waiting to die”. His life goes for a toss when the little girl Laura enters and from then the movie becomes an engaging drama for a pleasant change as we witness the emotions of a broken man who cannot stay away from protecting the people he cares for, and while doing so always leaves behind a trail of bodies, including innocent ones.
It is in these moments built up throughout the film and the way we see Wolverine in his absolute bloody glory in the climax, the soul of the character and the essence of a superhero are both captured simultaneously. Hugh Jackman’s portrayal of the character has always been top-notch but the stories told previously always left everyone wanting. However, this time around, the script helps Jackman finally elevate the character and the Australian actor puts on a performance of a lifetime showing the depth of Wolverine’s pathos and angst while never backing down from a fight no matter the odds.
Further, the true essence of a superhero does not lie in his/her powers, instead it lies in their ability to keep fighting for the good cause despite age, failings and situations. Logan manages to drive home the point with aplomb and that is the biggest victory for the film. The action sequences do not disappoint and it is fair to say the brutal nature of Wolverine’s offence is helped immensely by the “R” rating. For this, the film makers and fans are indebted to “Deadpool”, that broke through the rating barrier last year. The rating allows for some amazing Wolverine-esque action that could not be shown before and also gives Hugh Jackman the freedom in showcasing Logan’s feelings. A good point about the movie is that the rating has not been misused in any way and instead, it helps in enhancing the story.
The movie does well to flesh out Laura’s character slowly and gives us a little glimpse of how Wolverine could have been as a child while Patrick Stewart plays an ancient Charles with ease. The background score by Marco Beltrami maintains the sober tone throughout with the required flare-ups during the melees. On the flip side, the movie does slow down a bit in the middles but the payday for those scenes at the end makes up for it.
James Mangold got the character right in his previous film, “The Wolverine”, but could not connect it well to the audience. He rectified it this time around and the occasional references to the past and the little odes to the character through the comic books and cigars work well. Overall, Hugh Jackman lays down the blueprint for his counterparts when they film their swansongs, and in case he never ever dons the claws again (never say never), then it is time to say thank you for making a popular character iconic and he will forever be remembered as the Wolverine!
“I am the best at what I do, but what I do is not very nice”
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